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I’m pretty happy with where my career is at now, but for a long time a big guilty displeasure I had was math. I’m a smart guy; I’ve studied the sciences and used to really like physics; I enjoy puzzles and intellectually stimulating exercises; I work in software and artificial intelligence. It seems like someone like me should like math. I’m not even bad at it! But it bores me to death. If I liked math, I think I could have made more money or had more impact in the technical fields I picked for myself. I could have enjoyed biology research and its heavy reliance on statistics. I could have had a lot of fun doing linear algebra and become a star AI researcher or something. But no, I’m stuck working in software, constantly hoping that I won’t ever need to multiply matrices or interpret a p-value.
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There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.。咪咕体育直播在线免费看是该领域的重要参考
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